Fiction that refuses to stay in one place.
Born in Canada. Raised in Colombia. Writing from the Pacific Northwest.
Time Travel,
book bans,
and the fight for truth
When systems break,
ordinary people
push back
Hidden manuscripts, forbidden maps, and the people who saved them
What we carry when we leave, what we find
when we return
A novelist with early-onset dementia is writing what he knows will be his last book. His subject is a man further along the same road: Nicolás, a retired Colombian mining executive losing himself in a colonial town in Boyacá, tended by a daughter who cannot find the end-of-life directive he signed before the fog arrived. Roberto writes with an AI assistant. The arrangement began as a practical concession and has become something harder to name. His wife Elena, an architect who solves problems by understanding their load-bearing elements, agreed to everything Roberto planned while he was lucid. She is now the person living inside the plan, and those turned out to be different things.
The novel moves between Roberto's desk in Port Townsend and Nicolás's courtyard in Villa de Leyva. Two men in two countries losing the same capacities at different speeds. Two women carrying out wishes that were clear when they were spoken and are no longer simple. The prose does not degrade. The marginal notes do. The reader figures out who is still writing at a different speed than the characters, and both speeds are the right speed.
Lucid Interval is a novel about authorship and selfhood, about what a decision made in clarity owes the person you become, and about the people who loved someone enough to honor what he asked of them, even when honoring it is the hardest thing they have ever done.
Kindle · Paperback. Audiobook forthcoming →
English: https://mybook.to/LucidInterval
Spanish: https://mybook.to/IntervaloLucido
Bernardo de Miera y Pacheco is sixty-three years old when he rides out of Santa Fe with the Domínguez-Escalante expedition. He has spent forty years mapping the frontier of New Spain, carrying his quadrant and field book as other men carry weapons — as the instrument that converts experience into record. A militia captain, a santero, a man who has traded and fought and survived at the edge of the known world, he believes in the empire's westward logic: that what can be measured can be claimed, and that what can be named can be held.
At the shore of Utah Lake in late September, the Timpanogos receive the expedition with a welcome that Miera records as promising. Promises are made. The friars speak of return, of priests and soldiers and the formal recognition of Spain. A twelve-year-old boy joins the party heading south. Then the weather turns, the mountains close, and at a hill they name San Bernardo, Escalante and Domínguez cast lots to decide whether to press on to Monterey or return to Santa Fe. The lots say: home. The Timpanogos are not consulted. No message is sent.
What Miera produces is a map of unprecedented accuracy — one that Humboldt and Frémont and half the cartographers of the following century will trust. Accurate in every particular except one: the river flowing west from the lake that would have made the whole enterprise worthwhile. The lake was real. The river was not.
A novel about the distance between what a measurement records and what it was meant to prove — and what it cost to be the man who knew the difference.
Kindle · Paperback.
Englsih: https://mybook.to/LakeThatWasNot
Spanish: https://mybook.to/ElLagoQueNoEstaba
Your grandchildren deserve to know your story. Now there's an easier way to tell it.
You've lived a life worth remembering — the struggles and joys, the people you loved, the lessons learned the hard way. But writing it all down? That's where most people get stuck: the blank page, the fear of not being a "real writer," the overwhelming question of where to even start.
Your Story Matters shows you how to use AI tools like ChatGPT and Claude as patient interviewers, helpful editors, and encouraging writing partners. No tech expertise required. No special skills. Just your memories and the desire to preserve them. Inside: step-by-step guidance from first conversation to finished book, the "tight leash" method that keeps AI from taking over your voice, 100+ memory prompts to get started immediately, and complete instructions for self-publishing through Amazon KDP.
Title in Spanish: Ponlo en Palabras
Paperback, ebook
English: https://mybook.to/YourStoryMatters
Spanish: https://mybook.to/PonloEnPalabras
Before turning to fiction, I spent three decades as a researcher in information science and international development. From 2008 to 2025 I was on the faculty of the Information School at the University of Washington. Earlier work was based at IDRC in Ottawa and at universities and research centers in Latin America. The catalog runs to roughly 135 publications between 1993 and 2025, across peer-reviewed journals, conference proceedings, edited volumes, book chapters, monographs, and reports. The work groups into a handful of recurring themes:
Public access computing. Comparative studies of libraries, telecentres, and cybercafés as places where people without computers got online. Includes a 25-country landscape study and a 2011 IGI Global volume.
ICT4D evaluation, theory, and methodology. Critical work on whether information and communication technologies actually deliver on the promises made for them in development contexts. Includes the "Aunt Ofelia" letters, twenty years apart.
Colombia and Latin America. Studies of ICT policy, social appropriation, and community impact in Colombia, often published in parallel English and Spanish editions.
Migration, borders, and information practices. Long-running collaboration on how undocumented migrants at the US–Mexico border seek information, navigate surveillance, and interact with humanitarian organizations. Produced the Mind the Five privacy framework.
Participatory photography. Development and application of Fotohistorias and Photostories as visual research methods for working with migrants, indigenous communities, and other groups whose stories are rarely heard on their own terms.
Indigenous communities and community development. Information systems built with Tseltal Maya communities in Chiapas and indigenous communities in the Colombian Amazon, integrating radio, libraries, and participatory planning.
Technology pushback and refusal. A counter-narrative to connectivity triumphalism: how and why people resist constant online presence.
Latinx academia and sanctuary. Work on the experience of Latinx faculty, staff, and students, and on the sanctuary movement during the first Trump administration.
For the full publication list and current citation counts, see my Google Scholar profile.
Ricardo Gómez is a novelist, essayist, and retired University of Washington professor whose work crosses borders, centuries, and languages. He writes historical fiction, YA adventure series, climate novels, and intimate stories rooted in Colombian memory — in English and in Spanish.
Read the latest: Stories Across Borders on Substack
Essays on the real history behind the fiction — from Cahokia to Port Townsend to Bogotá
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© Ricardo Gómez · ricardogomez.net [Books] [About] [Amazon Author Page] [Substack: substack.com/@storiesacrossborders100]
"Stories that cross borders, centuries, and ways of knowing."